Wisely, as he did with “Complete Newcomers,” Bowie ignores the plot of the neon-lit remake of the French thriller—an extended masculine metaphor through which sexual Girls change into predatory felines. The quilt of “Woman Marmalade,” produced by Missy Elliott and sung by a murderer’s row of ’90s pop chanteuses, https://charlesb097cpa9.newsbloger.com/profile